This is a slightly longer version of a post on Kings of War.
I recently watched Battleship and, frankly, I had a lot of fun. The movie is at times thrilling, visually impeccable, voluntarily caricatural (hence funny) and if, like me, your favorite mind-clearing technique is to watch a blockbuster, you should appreciate it. As a reserve naval officer, I was sort of bound to enjoy it anyways because of the beautiful ships displayed. However, after a good two hours of laughs and visual entertainment, the movie got me into thinking about the cinematic expression of strategic concerns in the U.S.
Several scholars, in particular James S. Shapiro or James Der Derian have shown the epistemic significance of cinema as a way to both show and constitute specific world visions. In particular, Hollywood (producers, actors, agents, etc.) being the largest entertainment conglomerate in the world, it is both sensitive to the political climate in the U.S. and is a great medium to export and, to a certain extent, shape these political trends. For example, several American actors opposed the 2003 invasion of Iraq, a mobilization significantly different from the opposition to the Vietnam War in the 1970s. But while some liberal-minded Hollywood stars can sometimes oppose the U.S. foreign policy, a specific sub-field of the Hollywood production is much more closely associated with the mainstream discourse.